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  1. #11
    compos mentis
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    Default William Faulkner - As I Lay Dying

    Jewel, fifteen feet behind me, looking
    straight ahead, steps in a single stride through the window. Still staring
    straight ahead, his pale eyes like wood set into his wooden face, he crosses the
    floor in four strides with the rigid gravity of a cigar store Indian dressed in
    patched overalls and endued with life from the hips down, and steps in a single
    stride through the opposite window and into the path again just as I come around
    the corner. In single file and five feet apart and Jewel now in front, we go on
    up the path toward the foot of the bluff.
    [...]
    When we enter she turns her
    head and looks at us. She has been dead these ten days. I suppose it's having
    been a part of Anse for so long that she cannot even make that change, if change
    it be. I can remember how when I was young I believed death to be a phenomenon
    of the body; now I know it to be merely a function of the mind and that of the
    minds of the ones who suffer the bereavement. The nihilists say it is the end;
    the fundamentalists, the beginning; when in reality it is no more than a single
    tenant or family moving out of a tenement or a town.

    She looks at us. Only her eyes seem to move. It's like they touch us, not with sight or sense, but like the stream from a hose touches you, the stream at the instant of impact as dissociated from the nozzle as though it had never been
    there. She does not look at Anse at all. She looks at me, then at the boy.
    Beneath the quilt she is no more than a bundle of rotten sticks.
    [...]
    She watches me: I can feel her eyes. It's like she was shoving at me
    with them. I have seen it before in women. Seen them drive from the room them
    coming with sympathy and pity, with actual help, and clinging to some trifling
    animal to whom they never were more than pack-horses. That's what they mean by
    the love that passeth understanding: that pride, that furious desire to hide
    that abject nakedness which we bring here with us, carry with us into operating
    rooms, carry stubbornly and furiously with us into the earth again. I leave the
    room. Beyond the porch Cash's saw snores steadily into the board. A minute later
    she calls his name, her voice harsh and strong.
    "Cash," she says; "you, Cash!"

    http://www.scribd.com/doc/976219/Wil...As-I-Lay-Dying
    Last edited by menumission; 18-07-2011 at 22:51.

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