sfinotouvlaki :pink: :pink: :pink: ξανά...
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sfinotouvlaki :pink: :pink: :pink: ξανά...
:mpazo:
http://ec1.images-amazon.com/images/...7L._AA240_.jpg
με πραγματικο αποκορυφωμα το Inner City Blues.
ναι ναι ναι
I know that I'll do it, tonight, probably, and I also know that when I'm peeling the wrapper off the cassette box and press the pause button, it will feel like a betrayal.
"I don't believe it," says Laura when I tell her about Caroline. "How could you?"
"What?"
"Ever since I've known you you've told me that 'Let's Get It On' by Marvin Gaye was the greatest record of all time, and now it doesn't even make your top five."
"Shit. Fuck. Bollocks. I knew I'd . . ."
"And what happened to Al Green? And the Clash? And Chuck Berry? And that man we had the argument about? Solomon somebody?"
Jesus.
I call Caroline the next morning. She's not there. I leave a message. She doesn't call back. I ring again. I leave another message. It's getting kind of embarrassing, but there's no way "Let's Get It On" isn't going in that top five. The third time I try I get through to her, and she sounds embarrassed but apologetic, and when she realizes that I'm only calling to change the list she relaxes.
"OK. Definitive top five. Number one, 'Let's Get It On,' by Marvin Gaye. Number two, 'This Is the House That Jack Built,' by Aretha Franklin. Number three, 'Back in the USA,' by Chuck Berry. Number four, 'White Man in the Hammersmith Palais,' by the Clash. And the last one, last but not least, ha ha, 'So Tired of Being Alone,' by Al Green."
"I can't change it again, you know. That's it."
"Fine."
"But I was thinking that maybe it would make sense to do your five favorite club records. The editor likes the story, by the way, the Laura stuff."
"Oh."
"Is it possible to get a quick list of floor-fillers off you, or is that too much to ask?"
"No. I know what they are." I spell it all out for her (although when the article appears it says "n the Ghetto," like the Elvis song, a mistake that Barry pretends is due to my ignorance).
:-o
(το let's get it on πάντως όντως είναι καλύτερο ε)
δε λεω καταπληκτικος δισκος και το Let's get it on με ενα κι ενα κομματια μεσα, αλλα εδω μιλαμε για το What's going on του Mercy, Mercy me, του ομωνυμου κομματιου, και του Inner City Blues
Μια απ' τις πιο όμορφες στιγμές των διακοπών μου είχε σάουντρακ αυτό:
Tindersticks - Another Night In
Και είναι η τελειότητα σε νότες
we came full circle kariolia... :tatsnt:Quote:
Originally Posted by sabbattack
Nuclear Winter -Dead Congregation
2:15....3:00.
Γιατι καθε νοτα που παιζουν αποτελει σεμιναριο απιαστου ντεθ οιστρου..Eλπιζω να μην αργει το καινουργιο.
Βασικά, ρισκάροντας το ενδεχόμενο να χαρακτηριστώ κολημένος (Παναγιώτης) και ελεεινός fanboης, έχω να πω ότι τώρα που ξανατσεκάρω το κομμάτι των Tool, The Patient, είναι ένα λεπτό που ξεκινάει από το 5.31 που με ταξιδέυει ατέλειωτα. Συμφωνεί κανείς?
analogws. an o proorismos einai kapoia fylaki se xora tis apo anatolis opou se ksekoliazoun triantadyo vietkong se diaforous syndyasmous tote nai.
Μη μας εκθέτεις τις ονειρώξεις σου. Αηδιάζουμε.
emeis genikotera
Αλλά και εγώ ειδικά. Όπως και να χει σκάσε :pink:
Quote:
Originally Posted by symposium_lexotanil
MASTERPLAN - Black In The Burn
Jorn Lande :worship: :worship:
Λοιπόν. Ήρθε η ώρα να αφήσουμε τις μαλακίες.
ΘΑ πάτε εδώ http://www.myspace.com/jodygrind70
και θα ακούσετε το we've had it. Είναι η τελειότητα!~`
