Το δεύτερο σόλο κιθάρα του Comfortably Numb από την αρχή μέχρι το fade out..
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Το δεύτερο σόλο κιθάρα του Comfortably Numb από την αρχή μέχρι το fade out..
loipon doste vasi tora. ton kyrio piotr nalits ton gnorisame oloi apo to katapliktiko men sxetika asteio de gitar gitar. o typos exei 3234 videakia sto youtube kai merika apauta einai sti seira olokliri synavlia. ksekiniste me auto kai pidikste san xaritomena kagkouro apo link se link gia na anakalypsete to megaleio enos paragnorismenou kallitexni. sxetika credits kai pinks sto tamagothi mesw paypal.
το ''αυτό'' του ίσκρα γάμησε,δώσε πληροφορίες στο οφ τόπικ γιαυτόνα ματάκια
η στιγμή που σταματάει η αφήγηση και ξεκινάει η ψαλμωδία στο batwings των coil. ειδικά κάπου στο 8:53 :(
ε, και ολόκληρο το where are you
Ναι, ναι, ναι, ναι, ναι, ναι, ναι, ναι, ναιQuote:
Originally Posted by sfinotouvlaki
Αυτό το σημείο είναι ο ορισμός της υπέρβασης στην μουσική. Όταν ξεκινάει εκείνα τα ακατάληπτα ο Balance τα πάντα σταματούν να υπάρχουν. Η μουσική με το Μ κεφαλαίο και τα υπόλοιπα ακόμα πιο κεφαλαία.
κάπως έτσι :)
επίσης, από τα πιο όμορφα και συγκινητικά πράγματα που έχω ακούσει τελευταία Willard Grant Conspiracy - Distant Shore
...There is a stutter in my lungs
And a chatter in my breathing
I’m engaged to be married to the method of my leaving
I’m rarely found in situations that cause me to deliver
Tonight I’ll stay awake and write you
To keep me from the shivers
If you were a friend, I‘d want to save you pain
If you were a lover, I’d do the same
If we were joined,
I’d want to capture stars
Let them loose inside your chest
Forever keep you warm...
http://upload.wikimedia.org/wikipedi...Falls_1995.jpg
τα καλύτερα 19 λεπτά στην ιστορία της μουσικής.
http://static.metal-archives.com/images/7/5/4/754.jpg
τα καλύτερα 27 λεπτά στην ιστορία της μουσικής.
opoios mporei na ypostiriksei me kapoio tropo oti auto den einai apo ta anatrixiastikotera tragoudia ever mporei na mou steilei ena pm me ta stoixeia tou kai tha kanoniso ego ta ypoloipa.
http://img511.imageshack.us/img511/8...6m9xcxlmv4.jpg
Σχεδον δεν αντεχεται η λαμψη του
Quote:
Originally Posted by iskra
symfwnoi,edwomws yparxei kai ena akoma.
.Quote:
Originally Posted by hvilelos?
:pink:
Sol Invictus - Michael
Within the fire and out upon the sea
Crazy man Michael was walking
He met with a raven with eyes black as coals
And shortly they were talking
Your future, your future I would tell to you
Your future you often have asked me
Your true love will die by your own right hand
Crazy man Michael will cursed be
Michael he ranted and Michael he razed
And beat off the winds with his fist
He laughed and he cried, he shouted, and he swore
For his mad mind had trapped in a mist
You speak with an evil, you speak with a hate
You speak for the devil that haunts me
For is she not the fairest in all the broad lands?
Your sorcerer's words only taunt me
He took out his dagger of fire and of steel
And he struck down the raven through the heart
The bird fluttered long and the sky it did spin
And the cold earth did wonder and startle
Oh where is the raven that I struck down dead?
That here did lie on the ground
I see but my true love with a wound so red
Where her lover's heart it did pound
Crazy man Michael he wanders abroad
And he talks to the night and the day
For his speech it is plain and his eyes they are sane
And he longs to be far away
Michael he whistles the simplest of tunes
As asks the wild wolves for their pardon
For his true love is flown into all flowers grown
And he must be keeper of the garden
an den to katevasete eiste aksioi tis moiras sas.
Ta prota 48 deuterolepta tou Fighting For The Earth twn Warrior einai sketi GKABLA :dfinger:
Symfoneiste mazi mou. Pliz.
oi xebymetalloi e
Το ριφ που μπαίνει στο 7.00 στο Little Boy των Metal Church μέχρι το τέλος.
το Unite του Burial. υπ'όψιν ότι δεν βρίσκεται σε δίσκο του, μόνο σε μια dub συλογή της soul jazz.
:)))) omorfia. euxaristoume.
Εφτά ποτάμια σμίξαν και τρεις καημοί
κι είπανε να μερώσουνε μιά στιγμή
οι θάλασσες κοπάσαν κι οι στεναγμοί
εννιά σπαθιά γυμνώσανε στη γραμμή.
Η άνοιξη μαυλίστρα γιά να διαβεί
κοιτάξτε χωριανοί μου τι θα συμβεί
τα πάθη σα σαρκώσομε του Ραβί
εκείνος ο μπροστάρης κι εμείς στραβοί.
Ήλιε μου στρατολάτη ταξιδευτή
που μού 'δωσες τη χάρη του γητευτή
ο άνθρωπος γυρεύει γιά να γευτεί
απ' το ζεστό μου αίμα να γιατρευτεί.
Η μεγαλοβδομάδα κόρη ξανθή
μύρωσε το χωριό μας και ροδανθεί
που τρώει το θεό του γιά να χαθεί
κι ίσως με το χαμό του ν' αναστηθεί.
Στης άνοιξης τον κόρφο το ζηλευτό
μυριόχρωμο γιορντάνι το σερπετό
φάρμακο το φαρμάκι στον αετό
γιά να πετάξει εκείνος ως είν' γραφτό.
Πέρνα περαματάρη τον ποταμό
πάρε κι εμέ μαζί σου στο μισεμό
κι εκεί στον καταράχτη και στο γκρεμό
θα μάθω του συμπάντου το λυτρωμό.
http://www.youtube.com/watch?v=oYxc-uHZqsw
http://i141.photobucket.com/albums/r...eed/502489.jpg
ERASE
did you want to tell me to go to hell
did you want to tell me to say my prayers
when did i become your definition
did you want to tell me i'm wrong
it don't mean a thing at all
did you want to tell me to make my peace
did you want to tell me i'll never be
define me define me define me defy me defy me defy me defy me
where are you i can't breathe
where will i go from here
what will i do without you in my life
someone give me a reason to live
i have a position open
its like this
you make me laugh
you make my life easier
you diminish my pain
erase the traces of scar tissue across my brain
there all all these well-wishers, well, idiots keeping score
and i would love to disappoint them
PEARL JAM - Indifference
I will light the match this mornin', so I won't be alone
Watch as she lies silent, for soon night will be gone
Oh, I will stand arms outstretched, pretend I'm free to roam
Oh, I will make my way, through, one more day in Hell...
How much difference does it make
How much difference does it make, yeah...
I will hold the candle till it burns up my arm
Oh, I'll keep takin' punches until their will grows tired
Oh, I will stare the sun down until my eyes go blind
Hey, I won't change direction, and I won't change my mind
How much difference does it make
Mmm, how much difference does it make...how much difference...
I'll swallow poison, until I grow immune
I will scream my lungs out till it fills this room
How much difference (2x)
How much difference does it make (2x)
Quote:
Originally Posted by My Wall
ό,τι και αν λέει ο κόσμος για τους Sunn 0))), τέτοιο πράγμα δεν φτιάχνει κανείς άλλος.
it does something to me!
ότι μαλακίες και να λέει όποιος θέλει, είναι πολύ μεγάλη μπάντα. Και το συγκεκριμένο μάλλον η καλύτερη στιγμή τους.
ναου πλέηινγκ.
:thumbsup:
Ten years ago, on a cold, dark night
There was someone killed 'neath the Town hall light
There were few at the scene, but they all agreed
That the slayer who ran looked a lot like me
She walks these hills in a long black veil
She visits my grave while the night winds wail
Nobody knows, nobody sees
Nobody knows but me
The judge said Son, what's your alibi
If you were somewhere else, then you won't have to die
I spoke not a word thought it meant my life
For I'd been in the arms of my best friend's wife
The scaffold was high and eternity near
She stood in the crowd and shed not a tear
But sometime at night when the cold winds moan
In a long black veil she cries over my bones
The Long Black Veil
http://i50.photobucket.com/albums/f3...ondieyoung.jpg
Old songs, stay to the end.
To refrain.
http://www.youtube.com/watch?v=Sx2cPtQynnU
to refrain.
.
Αυτο το θαυμασιο το παιξει και στις παραστασεις της η Galas για οσους κανουν κοπο να πανεQuote:
Originally Posted by carheart
Στο Long Black Veil παίζει και τρομερή διασκευή απο Νίκο Σπηλιά.
Αυτό που κάνει το λαρύγγι του Cantat των Noir Desir στο τέλος της διασκευής του "Ces Gens La" του Μπρελ δεν υπήρξε ποτέ
I was born Jonathon Aaron Steel, to the parents of William and Elizabeth
steel. I am a Leo, born under the sign of the lion and I was raised in a
lower middle class family with only one brother Michael whom I love
dearly. He was five years my senior. My father's nickname was Red which I
could never understand why because his hair was sandy blond. Nevertheless,
the name stuck. So when my brother was born my father became Big Red and
my brother Little Red. I should have known from the first time when I
realised their special connection, that I just didn't fit in to my
father's plans. And as I grew older the constant comparison between my
brother and myself left little doubt who was the image of perfection in my
father's eye. To him, my brother could do no wrong and I became The
Invisible Boy, the proverbial 'black sheep' and I soon figured out that
red and black don't mix. The beatings I received became more and more
frequent to the point where I would ask my father "Am I the orphaned son
you would never need"? But oddly enough I worshipped the ground my father
walked upon.
My brother and I were a strange mixture, as different as daylight and
dark. Looking back, it's hard to imagine we came from the same parents. I
sometimes wondered if we had the same father, but I always dismissed that
idea as my mother was far too religious, my father as well, to ever even
think of such a thing. But my brother who had always sensed my parent's
instilled insecurities tried his best to encourage me. For I was born
different and he knew it. He often told me when I was born an angel flew
over my bed and christened me with a magic wand and said "You shall be the
one". And I had no idea what 'The one' was, but as I grew older I began to
understand. Most boys put their mother on a pedestal and worship them like
the Virgin Mary but with her too my relationship was different and not for
the good. She was opinionated, uneducated, sometimes prejudiced,
overbearing, believed everything she read, true or not, and when it came
to religion was over-zealous to say the least. A mind boggling combination
but she was pretty, very pretty and I would often wonder, bordering on
complete confusion, how a person of this description could rationalise life.
This was a series of characteristics that many times in my life I would
look back on in bewilderment and the women I sought after when I was older
would be nothing like her. In the pain of youth, the misery of my neglect,
would manifest itself in many ways; depression - my enemy, fear - my
friend, hatred - my lover, and anger - fuel for my fire. These four
characteristics of my personality would become the guiding force of my
life and would control everything I did or was to become. I shall explain
later in the story about them which I call my Four Doors of Doom.
The mirror, the great plaything for man's vanity. The mirror was to
become, at times, my altar of refuge and other, my alter ego and its
magnificent obsession with a relentless pursuit of attention. It served as
a chilling reflection of my own wretchedness and my greatness. It was the
one place I could go to see inside myself, to find love, in an otherwise
loveless household where I could be great, where I could be anything or
anyone I wanted to be - one hundred percent pure escapism until I
discovered its precious secret. The mirror lives, it breathes, it talks,
it lies, it has a personality all its own. It is a genie that grants all
the wishes you could ever dream, at least in my case - all except two.
It was my 14th birthday, the day that changed my life forever. My brother
Michael, the one person who was my guiding light, my friend, my hero, was
killed by a drunk driver in a head-on collision. He died instantly. I
couldn't even bring myself to go to his funeral. My agony was so great I
just couldn't come face to face with him that one last time. My failure to
attend intensified my parents' resentment for me even more. But from that
moment on, nothing seemed to matter, especially that living hell called
'home'. For one year after his death I roamed the streets in a fog barely
conscious of anything or anyone. I discovered alcohol, and girls, drugs
and in general a life I had never known which was exciting, frightening
and wonderfully dangerous. And it was then as I staggered through a down
town city street in one of my drunken rages I stumbled across a small
music shop and in the window stood the instrument, the fiery tool that
would become the object of my new found desire. The instrument of my
passion, my obsession, the blood-red six string. It was like I'd known
the thing all my life.
I soon found it was the only way I could truly express myself. It was a
way to vent all my frustrations and all my pain - completely opened all my
Four Doors Of Doom and I found myself going to the mirror for counsel less
and less. Because of this my songs seemed to write themselves and I knew
my destiny was in my music but I was going to have to get out of this
backwards town I was in if I was ever going to succeed. I was 16 going
nowhere and the only thing my parents knew was 'live, work, die. ' And if I
stayed there that was exactly what was going to happen to me - I was gonna
die. So I ran away to the big city with the lights, excitement and danger
and a chance for me to finally live and do my music without the
persecution I had known for so long. I hitchhiked all the way with a
suitcase in one hand and my guitar in the other and as I stood at the edge
of the city the magic of the place was incredibly intense. It was to be my
new home the place I would call the 'Arena Of Pleasure'. I lived and
struggled in the arena for two years trying to get a break in music and
make a record and that's when I ran across a delightful business man named
Charlie. He had been a lawyer for 25 years before he discovered he could
fuck over more people in the recording industry then he ever could in a
court of law and he was the president of one of the biggest record
companies in the world. The music business to Charlie was nothing more
than a sacrificial lamb to be led to slaughter and the weapon of choice
was his record company that he'd wield like a mighty sword. The great tool
he would lovingly refer to as 'The Chainsaw'. The morgue, Charlie said,
was the music business where everyone sells out. Where all the artists
will eventually whore themselves to commercialism, the place where the
music comes to die. And through him I learned everything I needed to know
about the music business and even things I didn't want to know. He said he
could make me a star, one of the biggest things the world had ever seen.
The big time was calling and I was on my way. He introduced me to an
aspiring young manager named Alex Rodman and together we took on the whole
fucking world and kicked it square in the ass.
Just before the release of my first album I was sitting on the steps in
front of my apartment when a gypsy woman passed by. She stopped and asked
me if I would like my fortune read and I had never had it done so I was
more than happy to say yes. She revealed a deck of Tarot cards and began
to tell me of my past in which she went into great detail about the pain
of my youth, my brother and my parents. She saw my present with my great
struggle to succeed and fulfillment of my dreams and new found happiness
but after about ten minutes she stopped and I wanted to know of my future
and pleaded for her to go on and finally she spoke. She showed me a very
disturbing vision of where I was going. I told her that I wanted a
phenomenal wealth and fame and in the cards she saw a fallen hero and
looked at me and said "Be careful what you wish for - it might come true,
for the face of death wears the mask of the King of Mercy". I asked her if
she was sure of what she had seen and with a blank stare she turned and
walked away leaving me with the cards and a haunting that would follow me
the rest of my life.
Success agreed with me with amazing ease. The more records I sold the more
excess I had of everything - friends, money, women, cars, houses. It was
at one of my nightly hedonisms where a flash individual entered the room.
He introduced himself as the Doctor. I asked him what kind of doctor and
he smiled and said, "meet my friend Uncle Sam". The mirror that was once
on the wall, my alter ego, was now talking to me from the table and the
next three years were a blur. Drugs became the new candy and alcohol
became the new Coca Cola and Doctor Rockter was my new best friend and I
never heard the mirror speak again until tonight.
I was at the peak of my career and the world saw me as I had always wanted
it, The Idol, the Great Crimson Idol. Now I had everything it seemed,
everything but the one thing that would have meant more to me than
anything. The pain that manifested itself into my obsession, the
acceptance of me by my father and mother, who I had not spoken to since
I had left home.
One morning my manager Alex came in and broke up one of our nightly Easy
Rider Parties. An Easy Rider Party was when everybody would come over to
my house, the band, the doctor, hot and cold running women etc. And we'd
watch the movie and do everything going on the film only a lot more. And
he threatened to leave me if I didn't clean up. It was not that he cared
about me as a person he was only interested in my talent and what I could
do to further his own career as a true showbiz mogul. But it was then I
realised just how far things had gone. So I sat there alone in my palace
of pain and I was just numb from the alcohol and the drugs but equally as
intoxicated by my own fame and I had just enough courage to pick up the
phone and dial the number. My mind went into a whirlwind thinking of what
would happen and the fear overcame me and I started to put down the phone
but before I could a voice at the other end rang out and it sent a chill
through me that I had never known. It was my mother. It was hard for me to
speak, my heart pounding out of my chest but when I did I did the best I
could. She was very cold. But I knew the shock of suddenly hearing from me
after all these years was overwhelming and I was hoping that all the time
that had passed would heal the deep wounds between my parents and me
but... I desperately wanted them to approve of me, to accept me - it was
all I ever wanted. I hoped my success would finally prove my worthiness
and they would welcome the prodigal son home. All I wanted was for them to
be proud of me but less than 50 words were spoken. The last four were "We
have no son".
Some wounds never heal and mine had scarred me for life. A great star fell
from the sky that night and with its descent left a scorched path in its
way - a great path of self-destruction before burning out. And on this
night the great finale is finally here. 'Be careful what you wish for - it
may come true. ' Long live, long live the King of Mercy.
"The Story of Jonathan (The Prologue to the Crimson Idol)"
ρε παιδί μου,ντάξ zeps είναι αυτοί..αλλά ακόμα κ αυτοί δεν γίνεται να έχουν γράψει τέτοιο κομμάτι.στο ριπίτ απ'το πρωϊ..
Close the doors, put out the light
You know they won't be home tonight
The snow falls hard and don't you know
The winds of Thor are blowing cold
They're wearing steel that's bright and true
They carry news that must get through
http://www.sendspace.com/file/l9n3kz
αν συνεχίσεις μ'αυτό το βιολί που πας σήμερα θα σου κάτσω να το ξέρεις
αχχαχχαχα,είναι περίεργες οι μέρες..με sabbath και zeppelin την παλεύω από προχτές...θα το ρίξω σε τπτ garaζιές τώρα να βγώ κομμάντο απ'το σπίτι
''The Great Misconceptions Of Me''..Quote:
Originally Posted by sfinotouvlaki
My name it means nothing
My fortune is less
My future is shrouded in dark wilderness
Sunshine is far away, clouds linger on
Everything I posessed - now they are gone
Oh where can I go to and what can I do?
Nothing can please me only thoughts are of you
You just left when I begged you to stay
Ive not stopped crying since you went away
The world is a lonely place - youre on your own
Guess I will go home - sit down and moan.
Crying and thinking is all that I do
Memories I have remind me of you
http://www.youtube.com/watch?v=MQBT5Gwp ... re=related
Fates Warning APSOG:
And I know we can't turn back all the years
Time reflected in a shade of gray
But I often wonder what could have been
And I still hold on to yesterday
And I know we're not children any more
Innocence lost in a sea of gray
But I often wonder what else could be
And I still dream of running away
Panta me stelnei
:pink:
Απίστευτες στιγμές συναισθηματικής φόρτισης (γενικά ολόκληρο)
και η διασκευη των tool!!!!Quote:
Originally Posted by irreligious
Οι tool δε λένε για thor και επικούρες όμως:
Lock all the doors, kill the lights.
No one's coming home tonight.
The sun beats down and don't you know?
All our lives are growing cold.
They bring news that must get through.
Dying peace for me and you.
They ask no quarter,
They have no quarter.
Όπου μιας και το πιάσαμε, το τελευταίο λεπτό της διασκευής αυτής είναι μια απο τις ανατριχιαστικές στιγμές.
